The dead are always present, says Hilary Mantel, they live with us in our memory, in our genes and in the legacy of their decisions and actions that shaped the world we live in today. In the words of St Augustine, she says, they are ‘invisible, they are not absent’. My inspiration for it Sinclair was family history. Whoever we are we all have some sort of family and some sort of history, we could not have got here without it even if we do not know that history.
There is a poem by WH Auden, called “As I Walked Out One Evening”:
‘The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead’
Like most people I come from a long line of very ordinary people; people who struggled most of their lives to make ends meet them to keep a roof over their head. These are not the people we think of when we think of history. History was, until the last century, very much the domain of great men and great events. When we imagine the past in drama, in books, and, in films, the characters are always the movers and shakers of history; their decisions and actions change the world. Rarely do we think of the ordinary run of the mill people in the background who were most likely our ancestors.
My grandparents were born at the turn of the 19th century, they were Victorians. They lived through great events, the Great War, the economic depression of the 1930s, the Second World War, and the post-war boom but they did not shape them. They were lucky, they survived these huge historic events and so did their children; all of them living to ripe old age thanks to the introduction of the National Health Service in 1947. They were the first generation to live in Council Houses, proud tenants who always paid the rent on time. They worked hard and life was not easy but it was certainly better than it had been for their parents who had lived in overcrowded city-centre tenements with no interior sanitation. My Victorian ancestors worked hard, feared the workhouse, died young and were buried unceremoniously and as cheaply as possible.
My novel, Sinclair, is inspired by my husband’s family, the Leadams, who came from Walkington near the market town of Beverley and city of Hull. Christopher Leadam trained as a surgeon in York then moved to London sometime in the 1770s. I recently visited Walkington to look at the place he left to work at Guy’s Hospital. The contrast between this rural idle of the East Riding and the busy streets of Southwark could not be greater. Walkington is a beautiful place but as the 10th child in a family of farmers Christopher, who was clearly bright and adventurous, knew that if he was going to make a life for himself he had to leave the place of his birth.
Christopher died when he was relatively young, probably around 40. We know from the historical record that when he died he was the owner of an apothecary shop in Tooley Street and that he had a 14-year-old son and a wife. Christopher was not a great man of medicine but he was one of the cast of players who helped to heave medicine out of its medieval roots into the modern scientific age.
The Leadams of Tooley Street has led me on a journey into the 18th century and early 19th century. My novel begins in the aftermath of the disastrous American War and ends as France is about to throw the shackles of the ancient regime. Most historical romance is about aristocratic families, families with connections and status. My fiction is about a family too but this family has to make their own way in the world. They have no estate or inheritance to come into; they have to use their hands and their brains to make their way in the world. Men like the Leadams and the fictional Sinclair were men of the professions, industry, ideas, and commerce; they were the men for a new and enlightened age, the men who shaped the world we know today.
As a novelist, I want to tell the story of that change, of the development of the middle class if you like. The middle class is much maligned and forgotten in the pages of history and novels. Today middle-class values are under attack from libertarian capitalists who view government as a barrier to the unfettered accumulation of personal wealth, they do not believe in society or collective endeavour. In the historical novel, the middle class gets lost between the aristocratic splendour of the ballroom and the rags to riches stories of the poor.
‘The pursuit of the past makes you aware, whether you are novelist or historian, of the dangers of your own fallibility and inbuilt bias’ says Mantel. I agree I am the product of my own history. I am not the past I am now writing about the past in a language that is understood today. I am a writer of fiction but I am a historian too; an anachronism an oxymoron. The 19th-century historian Lord Macaulay said, “History has to be burned into the imagination before it can be received by the reason.” I burn with a passion for the past, but I also burn with a passion for the future, for a better future for my children and mankind. I’m biased and I don’t feel guilty about it; all history is biased, I am not perturbed about my desire to tell stories about people who live in townhouses and not country estates, people who value education for its own sake, people who want to engage in the political life of the nation because they want to improve the lives of others and build a better future.
Mantel says, “The historian and the biographer follow a trail of evidence, usually a paper trail. The novelist does that too, and then performs another act, puts the past back into the process, into action, frees the people from the archive and lets them run about, ignorant of their fates, with all their mistakes unmade.” Sinclair makes plenty of mistakes.
Julia Herdman writes historical fiction that puts women to the fore. Her latest book Sinclair, Tales of Tooley Street Vol. 1. is Available on Amazon – Paperback £10.99 Kindle £2.42 Also available on:
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Mary Wollstonecraft was born on 27 April 1759 she is one of the world’s first feminist writers. She decided to become a writer in 1787, 230 years ago, and moved to 45 George Street, in Southwark, now called Dolben Street. It was from Dolben Street that she launched her career, with the publication of her novel, Mary: A Fiction.
Two friendships shaped Wollstonecraft’s early life. The first was with Jane Arden in Beverley. The two frequently read books together and attended lectures presented by Arden’s father, a self-styled philosopher and scientist. Wollstonecraft revelled in the intellectual atmosphere of the Arden household and valued her friendship with Arden greatly, sometimes to the point of being emotionally possessive. Wollstonecraft wrote to her: “I have formed romantic notions of friendship … I am a little singular in my thoughts of love and friendship; I must have the first place or none.” In some of Wollstonecraft’s letters to Arden, she reveals the volatile and depressive emotions that would haunt her throughout her life.
The second and more important friendship was with Fanny (Frances) Blood, introduced to Wollstonecraft by the Clares, a couple in Hoxton who became parental figures to her; Wollstonecraft credited Blood with opening her mind. Unhappy with her home life, Wollstonecraft struck out on her own in 1778 and accepted a job as a lady’s companion to Sarah Dawson, a widow living in Bath. However, Wollstonecraft had trouble getting along with the irascible woman (an experience she drew on when describing the drawbacks of such a position in Thoughts on the Education of Daughters, 1787). In 1780 she returned home, called back to care for her dying mother.Rather than return to Dawson’s employ after the death of her mother, Wollstonecraft moved in with the Bloods. She realised during the two years she spent with the family that she had idealised Blood, who was more invested in traditional feminine values than was Wollstonecraft. But Wollstonecraft remained dedicated to her and her family throughout her life (she frequently gave financial assistance to Blood’s brother, for example).
Wollstonecraft had envisioned living in a female utopia with Blood; they made plans to rent rooms together and support each other emotionally and financially, but this dream collapsed under economic realities. In order to make a living, Wollstonecraft, her sisters, and Blood set up a school together in Newington Green, a Dissenting community. Blood soon became engaged and after their marriage her husband, Hugh Skeys, took her to Lisbon, Portugal, to improve her health, which had always been precarious. Despite the change of surroundings Blood’s health further deteriorated when she became pregnant, and in 1785 Wollstonecraft left the school and followed Blood to nurse her, but to no avail. Moreover, her abandonment of the school led to its failure. Blood’s death devastated Wollstonecraft and was part of the inspiration for her first novel, Mary: A Fiction (1788).
She followed Mary: A Fiction, with works on the education of children. Through her association with her friend and publisher Joseph Johnson she met Thomas Paine, the writer of the The Rights of Man. Paine who would become one of the great influencers of the both the French Revolution and the development of the American state opposed the idea of hereditary government—the belief that dictatorial government is necessary, because of man’s corrupt, essential nature. she also met her future husband and one of the forefathers of the anarchist movement William Godwin through Johnson.The first time Godwin and Wollstonecraft met, they were both disappointed in each other. Godwin had come to hear Paine, but Wollstonecraft assailed him all night long, disagreeing with him on nearly every subject.
It was after she left Dolben Street in 1791 that she published A Vindication of the Rights of Woman (1792). There is no doubt that her time at Dolben Street, Southwark was the furnace of her intellectual development, and was the site of her most intense creative years.
My own novel, Sinclair takes place in Southwark and Beverley at this time. I shall be picking up some of Woolstonecraft’s themes in my next novel.
Julia Herdman is a novelist. Her latest book Sinclair, Tales of Tooley Street Vol. 1 is Available on Amazon – Paperback £10.99 Kindle £2.29
Also available on:
Amazon New Zealand
Amazon South Africa
On the 8th of March, 1750, an earthquake shook London. The shock was at half past five in the morning. It awoke people from their sleep and frightened them out of their houses. A servant maid in Charterhouse-square, was thrown from her bed, and had her arm broken; bells in several steeples were struck by the chime hammers; great stones were thrown from the new spire of Westminster Abbey; dogs howled in uncommon tones; and fish jumped half a yard above the water. London had experienced a shock only a month before, namely, on the 8th of February 1750, between 12 and 1 o’clock in the day and at Westminster, the barristers were so alarmed that they imagined the hall was falling!
Most people (including academics) saw the tremors as the work of God. However, The Gentleman’s Magazine, (founded by Edward Cave, alias ‘Sylvanus Urban’, in 1731) which was interested in everything, told its readers that there were three kinds of earthquake; the ‘Inclination’, which was a vibration from side to side, the ‘Pulsation’, up and down, and the ‘Tremor’, “when it shakes and quivers every way like a flame.” Scholars were agreed that the origins of earthquakes were to be found in the underground voids with which the earth was believed to be honeycombed, especially in mountainous regions; but whether it was the surges of air, water or fire within these caverns that were the actual cause of the shock was still disputed.
Despite only the minor damage, Londoners were worried. One earthquake was remarkable, but two earthquakes in a month was unprecedented. Were they a warning from God? Thomas Sherlock, the Bishop of London, was sure of it. In a letter to the clergy and inhabitants of London, he called on them to “give attention to all the warnings which God in his mercy affords to a sinful people…by two great shocks of an Earthquake”. He pointed out that the shocks were confined to London and its environs, and were therefore ‘immediately directed’ at that city.
On Sunday, March 18, at about 6 pm, Portsmouth and the Isle of Wight were shaken, and, as they trembled, the air vibrated to a noise like the firing of great guns. The shock was even felt, though faintly, at Bath. On Monday, April 2, at about 10 pm, Liverpool and an area about 40 miles round vibrated to ‘a smart shock of an earthquake’ for two or three seconds.
1750 was a year when the earth trembled up and down the land. The weather was also considered freakish. People lived in trepidation waiting for the next catastrophe.
The last, and strongest, English earthquake of 1750 shook Northamptonshire and several other counties, just after noon on September 30. It was ‘much stronger than that felt in London”, and lasted nearly a minute. Part of an old wall in Northampton was thrown down, a lady in Kelmarsh was tossed from her chair, and all over the shaken district people ran into the street. At Leicester, a rushing noise was heard, and the houses heaved up and down. The convulsion caused terror, but passed off with only the loss of some slates, chimney parts, and a few items of glassware. Near Leicester, an unfortunate child was shaken out of a chair into a fire, and was ‘somewhat burnt’.
Sinclair, Tales of Tooley Street Vol. 1 is Available on Amazon – Paperback £10.99 Kindle £2.29
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Tooley Street in Southwark is the location of my new novel Sinclair. Today is it’s one of London’s best known streets, home to London Bridge Station and the London Dungeon, and is close to the London Shard and City Hall.
Running parallel to the Thames on the south side Tooley Street is one of the oldest streets in London. Its name is said to be a strange corruption of its former name, St. Olave’s Street, which is hard to believe but I suppose we’ll just have to accept what the local experts tell us on that one.
It’s a thriving place today with state of the art offices, clean and tidy streets and modern communications and although it was no less thriving in the past it was a very different place then. Here are some of the residents and trades listed as living and operating in the area in the 18th and 19th century:
Wharfingers (warehouse owners), merchants, instrument makers, factors, and agents; outfitters, biscuit-bakers, store-shippers, ship-chandlers, slop-sellers, block-makers, rope-makers, engineers, and then there were the surgeons who worked at the great charitable hospitals: Guy’s, St Thomas’ and the London.
My novel is set in eighteenth century Tooley Street in a house inhabited by my family’s ancestors for three generations. They owned an apothecary shop at No. 65 and worked as surgeons at Guy’s Hospital just a stone’s throw away. Members of the Leadam family pop in and out of the historical record; appearing in trade directories, hospital correspondence, or as witnesses in Old Bailey cases or giving evidence to Government enquiries on issues such as public health.Some members of the family are mentioned in magazine and newspaper articles of the day and some have published obituaries and their own publications.
In my story which is a fiction not a family history, a Scottish doctor down on his luck comes to live at No 65 Tooley Street after the unexpected death of Christopher Leadam who is based on the real Christopher Leadam who was born in Yorkshire and worked at Guy’s hospital as a surgeon and was secretary to one of its weekly committees. He died young leaving a widow, whom I have called Charlotte Leadam in the book and a teenage son. My story focuses on his widow’s struggle to keep the apothecary shop open and get her son, John, trained as a surgeon.
Illustration: Guy’s Hospital, London, opened 1725.
You can read my fictionalised account of life at No. 65 Tooley Street in Sinclair.
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John Keats – The Apothecary Poet
The poet John Keats trained as an apothecary and a surgeon before deciding to dedicate himself to poetry.
Keats had first-hand experience of serious illness and death. His father died after falling from a horse, and his mother and uncle died of what was called ‘an unspecified decline.’ Keat’s only brother Tom was to die of tuberculosis in December 1818. Keats nursed his brother through his final months catching the deadly virus in the process. Keats’ disease became apparent early in 1820. Known as consumption in those days the disease was common, distressing and lethal.
Keats Early Life
Aged just 14 years old Keats was apprenticed to the family’s doctor, Thomas Hammond. In the summer of 1810, Keats moved in above Hammond’s surgery in Edmonton, North London. While an apprentice, Keats would have performed such tasks as making up medicines, cleaning the surgery, preparing leeches (blood-sucking worms that were used to bleed patients), and bookkeeping. As he progressed he may have moved on to dressing wounds, drawing teeth and visiting the sick.
Keats’s poetry received some harsh criticism form literary snobs because he was an apothecary. Having such a profession was seen by some to be beneath the dignity of a poet. The Tory critic John Gibson Lockhart, writing anonymously in Blackwood’s Edinburgh Magazine, Lockhart advised Keats that ‘It is a better and a wiser thing to be a starved apothecary than a starved poet.’
He seems to have left before his apprenticeship was completed, but he had done enough to satisfy the requirements of the 1815 Apothecaries Act, which came in while Keats was in the next stage of his training at Guy’s Hospital. Keats entered Guy’s Hospital as a student on 1 October 1815 and, with incredible speed, was promoted to the role of ‘dresser’ on 29 October 1815, less than a month after he had arrived at the hospital and just before he turned 20.
The Apothecaries Act had come into force on 12 July 1815 and was an attempt to regulate and professionalize apothecaries. To be allowed to practice, there was now a required minimum degree of training and an exam. Keats had done enough of his apprenticeship, the requisite six months of hospital training, and then passed the difficult exam (which his two housemates failed). He qualified for his apothecary license on 25 July 1816.
His knowledge of the human body and its suffering can be found in his narrative poem Lamia which was published in 1820. The poem was written in 1819, during the famously productive period that produced his 1819 odes. It was composed soon after his “La belle dame sans merci” and his odes on Melancholy, on Indolence, to a Grecian Urn, and to a Nightingale and just before “Ode to Autumn”. It tells how the god Hermes hears of a nymph who is more beautiful than all the rest and he goes searching for it but he finds Lamia, trapped in the form of a serpent. She reveals the previously invisible nymph to him and in return, he restores her human form. Her transformation into a woman contains all the pain and horror he had witnessed in his hospital work. It shows the knowledge of chemistry he gained at Guy’s Hospital. Lamia foamed at the mouth her eyes wild ‘Flash’d phosphor and sharp sparks’ (Part 1, ll. 148-52). The beautiful colours that had characterized her mythological, serpent body are replaced with the ‘pain and ugliness’ of human mortality and the change was horrible, physically painful ‘She writh’d about, convuls’d with scarlet pain’ (Part 1, l. 164; l. 154). Scarlet is, of course, the colour of blood and in his phrase ‘scarlet pain’, Keats describes the agony of Lamia’s transition into a fully mortal woman.
During 1820 Keats’ health declined. He suffered two lung haemorrhages in the first few days of February and lost a lot of blood. At the suggestion of his doctors, he agreed to move to Italy with his friend Joseph Severn. He took a house on the Spanish Steps in Rome, today the Keats–Shelley Memorial House museum. Despite the care of Severn and Dr. James Clark, his health rapidly deteriorated. Keats was placed on a starvation diet of one anchovy and a piece of bread a day intended to reduce the blood flow to his stomach. He was bled, a standard treatment of the day to reduce the agitation of his blood. Weak and knowing the fate he had in store Keats tried to poison himself with opium without success. His friends hoping to save him from himself took the opium away and Keats died in agony with nothing to ease the pain.
John Keats died in Rome on 23 February 1821 and was buried in the Protestant Cemetery. His last request was to be placed under a tombstone bearing no name or date, only the words, “Here lies One whose Name was writ in Water.” Severn and his doctor Brown erected the stone. On it they had a relief of a lyre with broken strings cut into it with the epitaph:
This Grave contains all that was Mortal of a Young English Poet Who on his Death Bed, in the Bitterness of his Heart at the Malicious Power of his Enemies Desired these Words to be engraved on his Tomb Stone: Here lies One Whose Name was writ in Water. 24 February 1821. The text echoes a sentiment from Catullus LXX. Sed mulier cupido quod dicit amanti, in vento et rapida scribere oportet aqua which means ‘ What a woman says to a passionate lover should be written in the wind and the running water.
About the author
Julia Herdman is a novelist writing about 18th and early 19th century London. Her debut novel Sinclair is about a family of apothecary surgeons working at Guy’s and St Thomas’s Hospitals at the dawn of modern medicine. Available on Amazon – Paperback £10.99 on Kindle
Julia Herdman is a novelist writing about 18th and early 19th century London. Her debut novel Sinclair is about a family of apothecary surgeons working at Guy’s and St Thomas’s Hospitals.
What people are saying about Sinclair.
5 stars – Fantastic Tale of the 18th century
This book is superbly written and pulls the reader right into 18th-century life! Truth be told, I am not usually a fan of historical fiction, but Sinclair has changed that for sure! I was fully immersed in this tale, and have recommended it to all of my friends & colleagues! C.Miller, USA
Available on Amazon – Paperback £10.99 and Kindle